Currently Reading: Sense and Sensibility

It has been a long time since I’ve read a classic, and since picking up Jane Austen’s Sense and Sensibility, I’m at a loss as to why. It is my renewed opinion that if you do not know which book to read next, or you have not run into anything memorable in more time than is tolerable, reach back to the classics. They are a perennial sight on bookshelves for a reason, and considering the infinite number of choices we have in reading material, it is reassuring and exciting simply knowing that the book you are reading is of immense cultural value.
 
I am by no means a Janeite. I have only read the rite of passage that is Pride and Prejudice, but her cultish appeal is made obvious in Sense and Sensibility. I am most surprised by the book’s fresh, almost contemporary, humor. Austen is witty, sarcastic, and takes her time in revealing the true nature of her characters. The story follows the Dashwood sisters, Elinor and Marianne, and juxtaposes their very different approaches to life and love. Elinor is the model for “sense,” as she is calm, practical, and able to control or hide her emotions when necessary. Marianne embodies “sensibility,” as she indulges her emotions and finds no reason to hide her thoughts and feelings about anyone or anything. By the time I had reached the 100th page, both girls had suffered heartbreak, and the way each handles her grief is a study in sense versus sensibility. The vocabulary and sentence structure takes getting used to, though I am enjoying the challenge. It took three mentions of the word “society” for me to understand that it meant “company,” as in, “I enjoy his society.” The more you know . . .

Post-Reading: Men Explain Things to Me

This book is a collection of “Men Explain Things to Me” and six other essays written by Rebecca Solnit between 2008 and 2014. She guides readers through history, current events, statistics, and anecdotes, all of which are grounded in feminism. She specifically addresses the danger of our habits, from the personal to the political and beyond, of silencing women, and of discrediting women. She explains her urgency by writing, “Having the right to show up and speak are basic to survival, to dignity, and to liberty” (p. 15). There are difficult portions to get through, such as when she focuses on violence against women, but Solnit’s own passion for addressing and righting these wrongs is felt deeply, and this mission drives the essays forward.
 
One of my favorites is “In Praise of the Threat: What Marriage Equality Really Means.” Solnit agrees with conservatives who argue that same-sex marriage is a threat to traditional marriage, and in fact celebrates this very threat. Traditional marriage, if that is to mean marriage between one man and one woman, is historically an unequal partnership. Feminists fought to reject the hierarchal structure of traditional marriage, and now we are seeing even further progressive changes in the definition of marriage equality. In “Worlds Collide in a Luxury Suite,” Solnit briefly discusses the impact of Western economic ideology on the rest of the world, and the devastation it has caused. The essays are varied in topic but ultimately address a single issue, feminism, “the radical notion that women are people” (p. 152). The variety demonstrates the complexity of feminism, how everything is interconnected, and why the good fight must be addressed on so many fronts. This is the first I’ve read anything by Rebecca Solnit but I’m now in. A reader has recommended The Faraway Nearby, which I plan to pick up very soon.