“Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.”
“You alone have brought me to Bath. For you alone, I think and plan.”
(A letter from Captain Wentworth to Anne Elliot )
The time between finishing a book and writing about it should be as short as possible, as in I prefer when it happens immediately. My memory is strong and my feelings are fresh, the perfect foundation for reflection. Alas, I let this one linger, so I am afraid that whatever I write will be a dimmed version of my true love and enthusiasm for the book. Persuasion is thus far and by far my favorite of Jane Austen. It is a love story not of excessive romance, but of two people growing older, wiser, and finding their way back together. The pages overflow with characters, but unlike Sense and Sensibility, which required scribbling family trees in the margins, I found it easy to keep track of Persuasion’s names and relations. Every character is unique and well-developed, even the minor ones are memorable, and almost every one of them has some kind of influence on the relationship between Anne Elliot and Captain Wentworth.
During a group outing in which the friends disperse among various activities, Anne becomes flustered by a conversation she overhears between Wentworth and Henrietta. Anne is relieved when everyone in the party gathers back together, as she is able to collect herself amidst the noise of the crowd: “Her spirits wanted the solitude and silence which only numbers could give.” I immediately thought of the same idea famously expressed in The Great Gatsby: “I like large parties. They’re so intimate. At small parties there isn’t any privacy.”
My only wish is that I could have been privy to the details of Anne and Wentworth’s relationship. We are to assume that they are soul mates, that this is a meeting of the minds, yet because they are estranged for most of the story, we do not get to witness the connection ourselves. I suppose this is only a credit to Austen’s talent of creating characters whom we would love to observe, or to overhear in long conversation. I’m bound to come back to Austen, and the call will surely be Emma, but for now I leave her, and I think I miss her already.
Persuasion is the last of Jane Austen’s books that I plan to read before taking a breather, and fittingly so, as it is her last completed novel. The timing is especially perfect because having just finished her first novel, Northanger Abbey, I am very curious to compare the bookends of her life’s work.
Anne Elliot is 27-years-old, noticeably older than Austen’s previous heroines. She is the middle child of widower Sir Walter Elliot, a vain man who describes her as “haggard.” This is not the story of a giddy young girl flirting her days away, but of a sweet and elegant woman whose life demands heartache and patience. At 19, Anne falls in love with Frederick Wentworth, but rejects his marriage proposal due to her family’s insistence that he is beneath her. Frederick goes off to sea, Anne remains unmarried, and the main drama unfolds when he returns, now a captain in the Royal Navy and an embodiment of the self-made man, another new type of character for Austen.
There is something striking about Persuasion being Austen’s final novel before her death at 41, as if it is some kind of culmination of all that she has written, of all that she has experienced. Persuasion is Austen’s all too soon farewell, written even in the face of illness, and I am eager to pay my respects.